Blackmagic BMPCC 6K review: Peerless video power – Engadget

Blackmagic BMPCC 6K review: Peerless video power – Engadget

Gallery: Blackmagic Design BMPCC 6K cinema camera | 27 Photos 27 The Pocket 6K has a nearly identical body, button layout and screen to the last model. The only change is right in the middle, with a mount that’s wider and sticks out farther. That makes it quite a bit more bulky than the BMPCC…

Gallery: Blackmagic Assemble BMPCC 6K cinema digicam | 27 Shots


The Pocket 6K has a just about identical physique, button structure and veil to the final model. The suitable substitute is correct within the center, with a mount that is wider and stands out farther. That makes it rather mighty extra pudgy than the BMPCC 4K, which wasn’t precisely pocket-sized to open with.

The motive of the scramble is that it now uses Canon EF DSLR glass, rather then Micro Four Thirds lenses just like the BMPCC 4K. Those are designed to be farther from the sensor than mirrorless lenses to story for mirror motion. The sensor is furthermore bigger at 23.10 mm x 12.99 mm. That’s Beautiful 35 dimension, which is a bit of smaller than the APS-C sensor on Canon’s 7D II DSLR, nevertheless mighty bigger than the sensor on the Pocket 4K. The crop have confidence comparison with fat-physique is a 1.56x, in between fat-physique and Micro Four Thirds cameras.

Some of you would possibly perchance perchance perchance well deem Blackmagic would hold been adopting a mirrorless mount to defend the digicam extra compact. However I disagree, attributable to EF is extra mainstream, and EOS R glass is too dear. Obvious, you would possibly perchance perchance perchance well exercise Canon’s EOS R adapter, nevertheless that will perchance well perchance be an additional fee and trouble for heaps of customers.

As it stands, you would possibly perchance perchance perchance well now hold a less advanced time finding top quality lenses. While it’s no longer fat-physique, which is the on-pattern sensor dimension correct now, that can have it arduous to defend things in point of interest — especially with out an autofocus system. Beautiful 35 is in a sweet place, and silent delivers cinematic shots with shallow depth of self-discipline.

Livid by that it’s a ways a cinema-caliber digicam, the BMPCC 6K is surprisingly straightforward to learn. While it will opt hours and hours to master a typical mirrorless digicam, I had the BMPCC 6K region up and ready to exercise in about quarter-hour.

That simplicity works as a result of Pocket 6K’s intellectual ergonomic invent and visual, intuitive touchscreen-pushed menu system. Basic settings, like aperture, ISO and shutter attitude can be changed the exercise of the book dials. With the identical keen, 5-crawl touch present as the final model, I could perchance well perchance furthermore swap settings without delay from the predominant veil. As lawful as it’s, the present is a fingerprint magnet, on the opposite hand.

After I basic to dive in and substitute the dedication, RAW or ProRes, memory card and other settings, it became once straightforward as a result of the easy menu system organized by theme. I’d sound like a broken file right here, nevertheless the menus on Sony, Canon and Nikon cameras light in comparability, and participants producers would possibly perchance well perchance silent survey at what Blackmagic is doing.

Connectors, storage and battery

Blackmagic Assemble BMPCC 6K pocket cinema digicam evaluation

The BMPCC 6K kills every other mirrorless digicam on the connection facet. On top of the 3.5mm microphone and headphone ports, you gain a loyal mini-XLR mono locking connector for top of the diversity loyal mics. That you can exercise each and every the 3.5mm and XLR jacks on the identical time for backup or improved quality, where all other mirrorless cameras offer handsome a single audio channel.

Meanwhile, the constructed-in stereo microphone delivers better quality than the constructed-in mics on any mirrorless digicam I’ve ever tested. Thoroughly different ports consist of a USB-C and total-sized HDMI connector for external recording.

Battery life is rarely any longer extensive, giving you handsome forty five minutes when recording at 6K RAW with 50 percent veil brightness, in keeping with Blackmagic. In the valid world, it struggled to direct handsome 30 minutes with the Canon LP-E6 batteries. Fortunately, those are stunning low fee and simple to safe, so if I sold the digicam, I’d gain heaps of batteries to carry around.

Would possibly perchance perchance well well silent you would possibly perchance perchance perchance well hold to shoot for longer, Blackmagic has a $245 digicam grip that can energy the Pocket 6K for 2 hours. It furthermore has a 12 volt energy enter that locks the cable in place of residing to depart it on AC energy or exercise a bigger external battery pack.

The BMPCC 6K has some stunning beefy recording formats. The suitable mirrorless digicam that even comes shut to that is Panasonic’s GH5/GH5s, which is ready to shoot 10-bit, nevertheless no longer RAW, video.

With the 12-bit Blackmagic RAW codec, you would possibly perchance perchance perchance well shoot at up to 6K (6,144 x 3,456) or wider-veil 6K 2.4:1 (6,144 x 2,560) at up to 50 fps. Losing down to 2.8K (2,868 x 1,512) supplies you a max shooting depart of 120 fps. The latter two formats are windowed and construct no longer exercise all of the sensor dimension, that formulation the image will be cropped in by varying amounts. By job of physique rate and dedication, the BMPCC 6K beats every mirrorless digicam, and heaps mighty costlier loyal cameras. Panasonic’s S1H will reportedly hit 5.9K dedication nevertheless fee around $4,000, and the correct other suggestions for 6K (and up) are cinema cameras from RED, Arri and Sony that are priced effectively over $20,000.

Blackmagic Assemble BMPCC 6K pocket cinema digicam evaluation

Compression ratios vary from 12:1 to 3:1 (81 MB/s to 323 MB/s). No longer just like the Pocket 4K, there’s no option for uncompressed video. However given that 6K at 3:1 compression uses 323 Mb/s of bandwidth, uncompressed 6K video would require just about a gigabyte per 2d — effectively past what even Blackmagic’s newfangled CFast 2.0 storage can tackle.

Oddly, you can not shoot 4K, DCI 4K or Stout HD video in Blackmagic RAW mode, as a replacement you would possibly perchance perchance perchance well hold to exercise 10-bit ProRes mode for that. (On the identical time, you can not shoot 6K in ProRes.) On this mode, you would possibly perchance perchance perchance well shoot 4K at 60 fps the exercise of all of the sensor and 1,920 x 1,080 HD at 120 fps in cropped mode. That suits what you would possibly perchance perchance perchance well enact with Panasonic’s GH5/GH5s.

The dearth of RAW 4K is rarely too extensive a deal, attributable to you would possibly perchance perchance perchance well perchance even be buying for this digicam for the 6K ability, correct? Whenever you happen to with out a doubt need 4K RAW, the older BMPCC 4K can tackle that. Nonetheless, this would perchance well perchance even be a worry for some other folks who grab to stick with ProRes, so I’ve reached out to Blackmagic Assemble to perceive if that would substitute within the long depart.

To purchase all this footage, there’s one slot for SD UHS-II playing cards and one other for CFast 2.0 playing cards. UHS-II, with maximum speeds of 300 MB/s, is good for shooting ProRes, while the CFast 2.0 card’s maximum 525 MB/s speeds are fleet enough to enhance all of the RAW 6K formats. As before, you can not shoot to each and every playing cards straight away to hold a backup, so the digicam is rarely any longer very ideal for occasion videography.

Efficiency and video quality

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